By Charlotte Loveridge/Curtain Up
The European premiere of Sam Shepard's The Late Henry Moss swiftly follows the politically-charged God of Hell at the Donmar...
Why did you want to accept your part in The Late Henry Moss?
I’m a huge Shepard fan, always have been. One of the first plays I ever saw was Curse of the Starving Class when I was training in Dublin and it had a profound effect on me. I thought, “that’s the kind of theatre I want to do”...